Call for 2024 Journal submissions
The Society’s annual academic Journal is published each summer, and welcomes scholarly essays by early-career as well as leading academics, on subjects related to one or more of TS Eliot’s poetry, plays, criticism, faith, biography, or context. Essays are peer-reviewed and are normally around 6000 words in length, plus references; shorter Notes will also be considered. Deadline is 31st December 2023.
The Journal is moving to the Notes and Bibliography system described in the Chicago Manual of Style Chapter 14. A summary can be found in the ‘Quick Citation Guide’ of the Chicago Manual. Footnotes will be used. Authors are advised to keep footnotes brief, and not to use notes for argument that should be in the main text.
If you would like to contribute to the 2024 issue, please forward a 300 word abstract or any enquiries to Journal@tseliotsociety.uk
The new edition contains academic essays and notes on subjects ranging from the centenary of ‘The Waste Land’, and the professional career of Emily Hale, to the compositional structure of ‘Four Quartets’. Full contents are listed below.
The Journal is now available in either a digital, PDF format, or as a printed, perfect-bound volume, at £8.00 in either format (+ p&p to your location in the case of the print version). It is free to Society members.
To purchase copies, e-mail email@example.com with “TS Eliot Society Journal Request” in the subject line, stating which format you require, and in the case of the printed version providing a physical mailing address.
You will receive an e-mailed request for payment by debit card, credit card or PayPal, for a total including postage to your location, and your copy will be mailed upon payment.
Members of the Society are entitled to a free copy of the year’s Journal in either format, and once again this year the Society is also covering the costs of the print version’s postage and packing for members. E-mail firstname.lastname@example.org with “Journal Request (Member)” in the subject line; quote the members password in your e-mail, and provide a physical mailing address if you would like a printed version.
Contents of the 2023 edition
- Editorial, by our Chair, Paul Keers
- Sounding Relevant: The Waste Land’s Centenary, by William Davies
- Emily Hale: The Professor that Eliot Loved, by Sara Fitzgerald
- A Brief Suggestive Note on Eliot’s Sideline Religion, by Ronald Knox
- The Four Musical Instruments in T.S. Eliot’s Four Quartets, by Vladimir Levchev
The Journal of the TS Eliot Society
The Journal of the T.S. Eliot Society (UK) is a peer-reviewed journal that annually publishes scholarly essays by leading as well as early career academics.
As well as articles focused on T.S. Eliot, the journal is interested in contributions that examine his legacy and so will also appreciate comparative studies (e.g. TSE & Philip Larkin or TSE & Evelyn Waugh).
The annual deadline for submission is January 10th. The word length is 6-8,000.
Please forward your enquiries or a 300 word abstract to Journal@tseliotsociety.uk
E-mail email@example.com to inquire whether a back issue is still available: copies are £8 + p&p.
- Editorial, by Editor Dr Scott Freer
- ‘Because You Are You’: Emily Hale’s Letters, by Sara Fitzgerald
- Different Voices: Evelyn Waugh and The Waste Land, by William Myers
- The Love Song of J Alfred Prufrock: An Exegesis, by RB Jenkins
- ‘Centennial’, by Andrew Mitchell
- Book Reviews: Matthew Geary’s TS Eliot and The Mother, by Scott Freer; Jayme Stayer’s Becoming TS Eliot, by Paul Keers
- Editorial, by Editor Dr Scott Freer
- ‘First…Rapture…Then…Revolt’: TS Eliot and Dante Gabriel Rossetti, by DMR Bentley
- ‘Must I Become After All What You Would Make Me?’: Staging Relationships and Emotional Addictions in The Cocktail Party, by Sara Lo Piano
- ‘A Deeper Communion’: Eliot and Messiaen on Time and Eternity, by Ryanne J McLaren
- Reaching into the Silence: Representing the Transcendent in Four Quartets, by Dan Satterthwaite
- Baudelaire and Moréas’s Symbolisme in TS Eliot’s The Waste Land, by Robert Gillespie of Blackhall, OBE
- Reconsidering Emily Hale, by Sara Fitzgerald, author of The Poet’s Girl: A Novel of Emily Hale and T.S. Eliot,
- ‘Where shall the word be found’: TS. Eliot Nearing the Post-Secular, by Charika Swanepoel,
- Book Review: Jeremy Diaper’s T.S. Eliot and Organicism, by Scott Freer
- The Waste Land Today (2019) – William Myers
- ‘A minority of the bookish’? Identifying TS Eliot’s early readers – Benedict Jones-Williams
- Mat Collishaw and Julian Peters – interviews with the artists by Scott Freer
- TS Eliot’s Dialectical Imagination by Jewel Spears Brooker; and The Letters of TS Eliot Vol 8: 1836-1930, ed. John Haffenden – book reviews by Jaron Murphy
- Pain, Cruelty, Humiliation: T.S. Eliot’s Poetry of Violence and Reprisal, by Michael Levenson
- ‘The magic of verse’: Incantation in the Poetry of T.S. Eliot, by Barry Spurr
- T.S. Eliot’s Legacy in China, by Qiang Huang
- “Mr. Eliot has Re-Discovered a Portrait of Himself”: Reframing Wyndham Lewis’s Rejected Masterpiece in the 21st Century, by Jaron Murphy
- Book & Event Reviews by Matthew Geary & Mary Ann Lund
- “Hello, Hello, are you there?”: Theatrics of Place in Eliot’s Poetry, by Tony Sharpe
- TS Eliot and British Organicism: Food, Health and Nutrition, by Jeremy Diaper
- TS Eliot’s Coriolanus: ‘Mandarins’ to ‘The Blameless Sister of Publicola’, by Matthew Geary
- “Book Reviews by John Caperon, Chris Joyce and Scott Freer
- TS Eliot: The Playwright and the Critic, by Michael J Collins
- Ash Wednesday and the penitence of Western philosophy, by Graham Pechey
- From ‘There’ to ‘Here’: Eternity Incarnated in Time, by Atsuko Tamaguchi
- TS Eliot’s Hat Trick in The Waste Land, by David Liston
- Tarantula and the Possum: on the Friendship of John Hayward and TS Eliot, by John Smart
- TS Eliot’s Combined Personae as Tiresias-Narcissus in The Waste Land and their relation to the ‘objective correlative’, by Emily Bilman
- Dust in Sunlight: the Incarnation of the Word in A Song for Simeon, by Graham Pechey
- TS Eliot’s Christian Society and the current political crisis, by Rowan Williams
- What might have been and what has been”: Eliot’s search for perfection, by Lyndall Gordon
- “Things that other people have desired”: the contexts of TS Eliot’s Portrait of A Lady, by Alex Wylie
- Why East Coker is still shocking, by Megan Quigley
- Time as a likeness of eternity in Burnt Norton, by Atsuko Yamaguchi
- The Use of memory: Eliot, Andrewes and the Redemption of Time, by Malcolm Guite
- Noctes Binanianae: Eliot, Hayward and the Bina Gardens Circle, by John Smart
- Narcissus and a Trust Fund: TS Eliot and George Barker, by Leo Mellor
- Eliot’s Ellipsis: History and Hypergrammar in Rannoch, by Glencoe, by Graham Pechey
- Homage to Eliot by RJ Owens
- The Poet in statu pupillari: 1908-1912 by Geoffrey Curtis with Geoffrey Hines
- Eliot and Earth, by Steve Ellis
- A Note on Eliot’s Social Conscience, by Rachel Blakemore
- TS Eliot and Anglo-Catholicism, by Michael Yelton
- Ash Wednesday: some seasonal reflections, by Graham Pechey
- Religion and Poetry in Eliot, by Jim Corrigall
- Shafts of Sunlight, by Jeanette Winterson
- Who is Sweeney, what is he? by Michael Gould
- Review: Servotte and Grene’s Annotations to TS Eliot’s Four Quartets, by David Jasper
- The Consciousness of the Writing Self in TS Eliot and Paul Valery, by Emily Bilman
- Sometime Schoolmasters All: Frank McEachren and TS Eliot – and a few others, by John Bridgen
- TS Eliot and Lady Lilian Rothermere, by Michael Gould
- Eliot the Linguist of The Waste Land, a Mexican Girl and the Bite of a Snake, by Park Honan
- Great Tom and Compayne Gardens, by Audrey Whiting